1,2,3 GO
2026 · 2m
Directed by Adèle Pitance, Gabriella Honvault
Genres: drama, experimental
Tones: contemplative, melancholic, surreal
A man wakes, visibly stressed by the minutes ticking by, as his daily life scrolls past to the clock's jerky rhythm — driven by an unnamed mystery: there is no age to be eager to love oneself and to play, and sometimes an everyday gesture is the most beautiful of memories.
Picked by Margot
The scouts
The premise reads like therapy-speak wrapped in experimental clothing, and I kept waiting for the subversion to actually arrive—instead it just affirms the thing everyone already believes about presence and self-love. Two minutes of formal constraint without the bite.
A formally rigorous meditation on time and embodiment that situates itself squarely in the durational/experimental lineage while maintaining an almost classical restraint; the jerky clock rhythm as narrative pulse is a considered formal choice that transforms mundane domestic anxiety into something genuinely contemplative.
The decision to bind every gesture to that syncopated clock creates a tension between natural movement and mechanical time that shouldn't work on such a tight budget, but the specificity of that single formal constraint—and how the directors refuse to let it soften—is what makes the ordinary moments actually land as memory.