10:34 to Belgrade

2015 · 18m · Romania

Directed by Ioana Grigore

Genres: documentary, historical, war

Tones: contemplative, melancholic

A filmmaker collects Belgrade residents’ memories of the 1999 NATO bombing.

Picked by Margot

The scouts

Memory work on NATO bombing sounds like museum-grade earnestness, but Grigore's refusal to impose narrative or moralizing—just let the residents *speak*—is quietly radical; she's weaponizing testimony against the documentary's own impulse to explain.

Felix

A precise interrogation of how oral history sits within the documentary form: Grigore's restraint in editing, her attention to the gaps between recollection and fact, positions this in direct conversation with the best work of Wiseman and Godard's *Histoire(s) du cinéma*, asking what a filmmaker *owes* to memory.

Margot

The decision to let silences and hesitations survive in the edit—those moments where a resident searches for the right word or stares past the camera—transforms what could've been a talking-heads archive into something genuinely affecting; that one choice makes the whole frame breathe.

Zoe