Amor a la de tres
2014 · 16m · España
Directed by Jorge G. Satí, Julio Mora
Genres: dark comedy, drama, romance
Tones: absurdist, darkly comic, theatrical
Guillermo and Teresa are in love; he, pusillanimous, insecure, infantile and timorous, opposite her, a woman of overwhelming and decided personality who always had dominion of all her relationships, of all except this one; both will live a delirious situation that will be, however, their starting point.
Picked by Felix
The scouts
A relationship dynamic so inverted and absurdist it shouldn't work, but the film leans hard into the theatrical delirium and refuses to apologize for the mess—this is the kind of premise everyone else would sand down into conventional drama, and Satí and Mora have the nerve to let it stay delirious.
The film's formal control over its darkly comic tone and theatrical staging places it in conversation with European art cinema's tradition of intimate psychological unraveling, though the editing occasionally prioritizes emotional excess over compositional precision.
The casting reversal—a performance of pure paralyzed masculinity opposite a woman of crushing certainty—is the film's core decision, and watching Guillermo's passivity become the active axis of the narrative is where the entire 16 minutes gains its unsettling weight.