Baile de máscaras

The scouts

It's a competent trauma narrative about online shaming—exactly the kind of well-intentioned social-issue short that gets programmed everywhere and changes nothing. The premise does the heavy lifting; the film just documents it.

Oliver demonstrates formal control in his staging and editing, particularly in how the frame isolates Eva within digital and physical spaces, and the work sits comfortably within the European coming-of-age tradition—though the subject matter feels more urgent than the aesthetic choices justify.

The decisive move here is the sound design: how the ambient noise of the digital world (notification pings, scrolling, playback loops) gradually colonizes the physical space until Eva can't escape it even offline—that one architectural choice transforms a familiar premise into something architecturally distinct.