Beauté d'enfer
2026 · 2m
Directed by Diego Martos
Genres: coming-of-age, drama
Tones: contemplative, dark
A bullied, mocked and insulted young man faces a decisive choice between giving in to evil or staying on the side of good; between two voices and two visions of himself, he hesitates between yielding to hatred and still believing in the light.
Picked by Zoe
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The good-vs-evil binary feels like it's been workshopped into submission—two voices whispering temptation is the shorthand version of a moral reckoning we've seen a hundred times, and there's nothing here subversive enough to justify another pass at the same premise.
Martos channels a clear lineage through Bresson and early Haneke—the restraint of the form, the economy of gesture—but the film ultimately settles into a fairly conventional meditation on redemption without finding its own formal argument.
In two minutes, the entire weight rests on how Martos cuts between the two voices and what the protagonist's face does in that hesitation; if that editorial rhythm and that performance moment land, they carry a kind of existential weight that a bigger budget couldn't buy.