Casa
2019 · 9m · Spain
Directed by Alberto Evangelio
Tones: contemplative, dark, provocative
A real-estate agent showing a repossessed apartment to an eager couple discovers the buyers have an unexpected connection to the property.
Picked by Felix
The scouts
A real-estate pitch that turns into a trap — *Casa* does the thing where the mundane transaction becomes genuinely unsettling without needing jump scares or spectacle, just the slow realization that something's rotting inside the American dream of ownership.
Evangelio's restraint in the mise-en-scène and editing rhythm situates this squarely in the lineage of European social realism meeting genre—the formal precision of how the apartment itself becomes a character, observed and catalogued, recalls both the clinical eye of certain New German Cinema and contemporary art-horror.
The entire film pivots on a single decision: the real-estate agent's face during the reveal, held just long enough that you watch the mask slip—that micro-performance choice in what should be a forgettable role is what transforms a clever premise into something that actually *haunts*.
Reviews
A chilling, socially conscious ghost story with sharp commentary on housing, memory, and power.