CELOS

2025 · 3m · España

Directed by Lucía Palacios

Genres: dark comedy, drama

Tones: absurdist, melancholic

Vane has long been aware that everything she cooks burns in the pan and she can no longer bear its questions — why do her sausages always burn, and why doesn't Rodri look at her the same way?

Picked by Zoe

The scouts

Palacios collapses the distance between domestic failure and romantic indifference into burned meat — it's absurdist without winking, which most shorts botch completely. The fact that it actually *means* something while refusing to explain itself is exactly the kind of subversion that makes consensus scouts squirm.

Felix

A formally controlled miniature that inherits from the lineage of Koreeda's attention to small gestures and Haneke's refusal to comfort the viewer; the restraint in how it holds on Vane's face while the pan smolders speaks to real craft discipline.

Margot

The decision to literalize emotional abandonment through culinary incompetence could be mawkish, but Palacios pivots it by keeping the camera on Vane's eyes in the final beat — that single beat of recognition, held just long enough, transforms the whole thing from gimmick into something true.

Zoe