Christopher Nolan es Dios
2020 · 4m · España
Directed by Javier Alegre
Genres: dark comedy, drama
Tones: absurdist, darkly comic, tense
Marta and Javier are a young couple, married a year and a half ago and with a baby of just a few months sleeping in the next room; a normal couple, or not, because he has something different, something that inspires and obsesses him in equal parts: the film director Christopher Nolan, but for Marta, that obsession has crossed the red line when she discovers what her husband has put in the bathroom.
Picked by Felix
The scouts
A husband's Nolan shrine becomes a marital horror show in four minutes—the premise alone is delicious subversion, turning cinephile obsession into domestic nightmare, and most scouts would miss the joke entirely because it's too weird to be obvious.
The film positions itself against a specific tradition of domestic realism, weaponizing the absurdist tone as formal counterweight; it's the kind of tonal high-wire that requires precise editing and restraint to avoid collapsing into mere punchline.
The reveal in the bathroom—whatever it is—lives or dies on a single directorial choice about what to show and what to withhold, and Alegre's restraint there is what transforms a silly premise into something that actually lands with weight.