Colores desahuciados
2025 · 12m · España
Directed by Axl Paredes
Genres: drama, fantasy, romance
Tones: contemplative, melancholic, surreal
A love story told through photographs, between Enzo, a man who is losing his visual faculties, and Andrea, a woman marked by her own conflicts. Enzo begins to receive strange visits from 'something' that opens the door of his room.
Picked by Zoe
The scouts
The premise wants to be a ghost story but keeps apologizing for it, which is exactly the kind of half-committed magical realism that makes me want to scream—though I suspect Paredes knows this and is doing something weirder than surface-level romance-plus-haunting anyway.
The photograph-as-narrative-anchor places this in conversation with structural essayism and the long tradition of absence-through-documentation, and there's something formally considered about framing love through a medium Enzo is losing access to.
The decision to tell a love story *through photographs* when the protagonist is losing his sight isn't just thematic window-dressing—it's the entire emotional architecture, and if Paredes commits fully to that constraint, everything else (the visits, the surrealism, the melancholy) becomes inevitable rather than decorative.