Corrections
2017 · 17m
Directed by Nick Tucker
Genres: drama, sci-fi, thriller
Tones: contemplative, dark, tense
A parole technician in a simulation-based prison becomes obsessed with an inmate who has failed nearly a thousand rehabilitation simulations.
Picked by Felix
The scouts
A sci-fi thriller that actually *uses* its premise instead of just window-dressing it—the obsession between captor and captive inverts itself through a simulation layer that nobody else would bother to honor this seriously. Tucker's taking the cliché redemption arc and asking what happens when the system itself becomes the unreliable narrator.
The film's formal restraint—its willingness to let long takes in sterile environments carry the psychological weight—positions it firmly in the lineage of Haneke and early Villeneuve, where genre scaffolding serves a deeper inquiry into institutional complicity and surveillance.
The crucial move is Tucker's decision to keep the inmate's face obscured or distant for most of the runtime; by the time you actually *see* them clearly, the technician's obsession has already colonized your perspective, and that single choice restructures everything you thought was happening.