Cuatro Treinta

2022 · 15m · España

Directed by Anna Escurriola Peña

Genres: drama

Tones: contemplative, melancholic

She appears totally normal to anyone's eyes, yet she suffers society's rejection, enduring stares and comments, destined to isolation and precarious work, while following a hospital treatment to cure the disease that afflicts her skin; when everything seems to go well, her aspirations are cut short again, and doubts assail her: is that the right path?

Picked by Zoe

The scouts

The premise sounds like heavy-handed social realism until you realize the film is actually interrogating whether 'cure' itself is the trap—that's the subversive move, and it lands quietly instead of preaching.

Felix

Escurriola Peña works in a lineage of intimate European character studies that trust silence and duration; the formalist restraint here recalls Kiarostami's patient observation of internal contradiction.

Margot

The film's power hinges entirely on one decision: the refusal to show us her face clearly until the moment her hope fractures—a single compositional choice that transforms a medical-drama setup into something about invisibility that hits different.

Zoe