Derniére etreinte

The scouts

A heartbroken guy finds solace in poetry—it's the most predictable grief narrative in the book, and yet Bartcass seems genuinely uninterested in subverting it, which is almost admirable in its refusal to wink at the audience.

This sits comfortably in the romantic-melancholic tradition of European short cinema, where restraint and the weight of unsaid feeling do the heavy lifting; the formal decision to let poetry carry emotional register rather than score or montage shows real curatorial confidence.

The entire film hinges on whether we believe poetry—that specific, fragile artifact—can actually mend something, and Bartcass commits to that single belief so completely that the 2-minute runtime becomes the exact right shape for that kind of intimate, almost private moment.