Eddy's World

The scouts

It's a documentary about an old man making toys—about as consensus-safe as it gets, and yet there's something genuinely disorienting about watching someone at 98 still operate from pure creative compulsion, no nostalgia required, no moral to hang it on.

Goldfarb's restraint is the film's architecture: she lets Eddy's hands and workspace do the talking, situating this portrait in a lineage of intimate artist documentaries that trust observation over narrative, and the 18 minutes feel earned rather than stretched.

The choice to linger on Eddy's actual invention process—the false starts, the tiny adjustments—rather than cutting to talking heads transforms what could've been sentimental biography into something tactile and specific about how creation actually feels at any age.