EDGAR
2026 · 2m
Directed by Diego Scapin
Genres: coming-of-age, experimental, fantasy
Tones: contemplative, melancholic, surreal
In the shadow of an old house, Edgar performs the roles no one gives him, building, without spectators or applause, a cinema of dreams, fantasy, and solitude.
Picked by Zoe
The scouts
A two-minute fever dream about a kid performing cinema for an audience of one (himself) in a house's shadow — it's the kind of formally restless, self-aware gesture about filmmaking that usually collapses under its own conceptual weight, but Scapin actually makes you *feel* the solitude instead of just gesturing at it.
The film sits consciously within a lineage of experimental coming-of-age cinema — reminiscent of Koreeda's spatial interrogations and the tradition of performance-as-refuge — and executes that lineage with formal precision, the mise-en-scène doing the heavy lifting that dialogue never could.
The decisive move is treating the house's shadow not as mood but as *material*: Edgar's performances live in that graduated darkness, and the choice to keep the camera observational rather than intervening makes every small gesture—a hand, a turn—land with disproportionate weight on a two-minute runtime.