Edificio Ezquizófrenico
2019 · 3m · México
Directed by Alfredo Misael Mora Ruiz, Jesús Pérez Partida
Genres: drama, horror, surrealism
A year after his friend Alfredo's death, Jesús keeps seeing him in illusions, until Alfredo leads him to the building where he died. In that place, Alfredo frightens Jesús with very strange apparitions.
Picked by Felix
The scouts
A grief hallucination that doesn't wallow—instead it weaponizes the dead friend into architect of psychological terror, turning a memorial into a funhouse that interrogates whether mourning is communion or possession. Everyone expects the haunting to be gentle; this one uses surrealism to ask genuinely unsettling questions.
The film's restraint in its three-minute window—holding back exposition, trusting architectural framing and repetition to carry emotional weight—situates it in a lineage of European horror that favors unease over spectacle, though the surrealist pivot risks undercutting its own tonal discipline.
The singular choice here is the decision to keep Alfredo's appearance consistent while the *building itself* warps—it's a small inversion that makes the location, not the ghost, the antagonist, and that one reframing elevates what could've been a straightforward haunting into something architecturally precise.