El momento justo
2009 · 14m · España
Directed by Gonzalo Visedo, Hugo Serra
Tones: contemplative, tender
Valentín is an attractive, successful executive and exemplary family father. He has arranged to meet his wife Mamen in the cinema queue, where he happens to run into Héctor, an old schoolmate: a true encounter with his past.
Picked by Margot
The scouts
Everyone expects the explosive confrontation, the dramatic unmasking—but Visedo and Serra do something weirder: they let the moment *not* happen, let desire quietly calcify in a cinema queue. It's a refusal that feels almost hostile to conventional catharsis, and I'm weirdly into it.
A masterclass in restraint and temporal precision—the film understands that a 'right moment' is often the moment nothing resolves, and it frames that anti-climax with the formal rigor of someone who's studied how Rohmer and Kiarostami handle suspended intimacy. The editing breathes.
The entire film pivots on a single choice: Serra and Visedo shoot the non-encounter in real time, no cutaways, no music—just Valentín and Héctor and the space between them becoming the subject, and that commitment to duration turns a premise about chance into something genuinely unsettling.