El viaje circular

The scouts

It's formally restrained when it could be truly weird—the videopoetic framework promises surrealism but mostly delivers tasteful montage, which feels like a missed opportunity to actually *break* the form rather than genuflect to it.

A disciplined essay-film that positions itself squarely in the lineage of structural poetry and expanded cinema, where each compositional choice—the pacing between reflections, the visual metaphors binding identity to landscape—demonstrates a filmmaker thinking rigorously about form as meaning.

The decision to treat each 'stop' as its own contained visual argument, rather than stitching them into a conventional narrative arc, lets the budget constraints become an asset—forcing precision over spectacle, and making every cut between stations do conceptual work.