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2016 · 14m · Argentina

Directed by Mariana Wainstein

Genres: comedy, satire

Tones: absurdist, darkly comic

In a company, the boss and his employees work in front of their computers, concentrated, productive and attentive only to their monitors. Suddenly a catastrophe occurs: the Internet goes down, and the company is in crisis.

Picked by Felix

The scouts

A film that turns the entire premise of productivity culture into a hostage situation—the Internet outage isn't the disaster, the company *is*. Wainstein's doing something genuinely subversive here: making the mundane so literalized it becomes absurdist horror, and nobody else would have the gall to spend 14 minutes on office workers staring at blank screens.

Felix

The restraint is admirable—a satire that earns its absurdism through formal discipline rather than obvious gags, sitting squarely in a lineage of workplace comedies that use repetition and rhythm as their primary tool. The editing's patient architecture of sameness collapsing into crisis shows real cuatorial understanding of how satire functions through structure.

Margot

The choice to keep the camera locked on those monitors and the faces—unflinching, static—while the sound design slowly strangles the room with silence is what makes this work; it's not about the Internet failing, it's about the decision to never cut away from the employees' dawning realization that they have no idea who they are without it.

Zoe