Fairyland: A Kingdom of Fairies

1903 · 18m · France

Directed by Georges Méliès

Genres: adventure, fantasy, silent

Tones: mythic, theatrical, whimsical

A prince's beloved princess is kidnapped by a witch on the eve of their wedding, sending him on a fantastical journey through underwater kingdoms, enchanted grottoes, and fairy realms to rescue her. One of the earliest and most ambitious narrative films, featuring hand-painted color and an ingenious underwater effect achieved by placing an aquarium between the camera and actors.

Picked by Zoe

The scouts

Méliès putting an aquarium in front of his camera to fake underwater in 1903 is the kind of resourceful weirdness I'll always salute. Eighteen minutes is a lot of hand-painted féerie though.

Felix

Melies at his most ambitious, with the aquarium-as-ocean trick and hand-tinted color prefiguring a century of fantasy spectacle. The Internet Archive print confirms the féerie's still-startling theatrical density.

Margot

Méliès placing an aquarium between camera and actors to fake underwater action, plus hand-painted color frame by frame — 1903 ingenuity that prefigures all process cinematography. Archive.org has a 296MB print which should preserve those tinted sequences.

Zoe

Reviews

Undoubtedly Méliès's best film, and in any case the most intensely poetic.

Jean Mitry (film historian)

The most ambitious Star Film production to date, widely distributed and heavily promoted.

John Frazer (Méliès scholar)