Fálame do silencio
2016 · 14m · España
Directed by Lois Blanco Araúxo
Genres: coming-of-age, drama
Tones: contemplative, melancholic, tender
Marta and Roberto are finishing their studies and live together. They get up to have breakfast facing an uncertain future, trying not to let their hope break; what they do not know is that, just as some days are better never begun, others are remembered forever.
Picked by Margot
The scouts
It's a film about *nothing happening* — two people eating breakfast, pretending everything's fine — and somehow that refusal to give you plot feels almost radical in its quietness, though I suspect most people will just call it boring and move on.
Araúxo's restraint here is deliberately formal: the morning ritual as a temporal container, the unsaid as compositional choice, evoking a lineage from Koreeda and Hou Hsiao-hsien where duration and domestic space *are* the drama — this is curated filmmaking that trusts the frame.
The genius move is sound design meeting silence — the specificity of how breakfast noise (ceramic, cutlery, breath) becomes the only emotional register available to these two, and that acoustic decision alone transforms what could be sentimental into something achingly precise.