Hasta Mañana
2011 · 11m · España
Directed by Lara Pedraz
Genres: drama
Tones: contemplative, melancholic, tender
In a humble home, an ordinary day unfolds around the medicines, spoonfuls of food and words that are indispensable for a person who depends on someone else twenty-four hours a day for the rest of life.
Picked by Zoe
The scouts
Everyone expects intimacy cinema to wring tears from dependency—Pedraz just... watches, lets the repetition and small mercies speak for themselves, which somehow feels more subversive than any formal stunt could.
The film locates itself squarely in the long tradition of Italian neorealism and contemporary slow cinema, with an economy of gesture that recalls both Koreeda and the Dardenne brothers; the editing never rushes what daily care actually costs.
The decision to let the camera hold on mundane acts—spoonfuls, pills, the repositioning of a body—without cutting away or underlining their weight is what transforms this from a social-issue sketch into something genuinely devastating.