Holes in the Mountain

2014 · United States

Directed by Kai Carlson-Wee

Genres: documentary, essay film, experimental

Tones: contemplative, melancholic, mythic

A poetry film assembled from footage shot during a freight-hopping journey from Oakland to Portland, layering video, photography, spoken verse, and music into an associative meditation on rural American landscapes, spiritual poverty, and life on the move.

Picked by Zoe

The scouts

Poetry film made from train footage sounds like precious MFA territory, but Carlson-Wee actually pulls off the trap door—the associative editing refuses to resolve into comfort, and the freight-hopping frame lets the landscape stay genuinely hostile instead of transcendent.

Felix

A sophisticated lineage play: sits confidently between structuralist film and contemporary documentary poetry, with the kind of formal restraint that trusts image and voice to do the heavy lifting rather than manufacture meaning through montage.

Margot

The decision to layer still photography against moving footage—holding the frame static while verse moves through it—creates a specific visual tension that transforms what could've been pretty travelogue into something genuinely dislocating and alive.

Zoe