Homing
2014 · 3m · New Zealand
Directed by Andrew Scott
Genres: essay film, experimental
Tones: contemplative, tender
In one continuous shot, the camera drifts from garden to interior through a New Zealand home, reading lives from spaces and sounds.
Picked by Margot
The scouts
A single-shot drift through domesticity sounds like the most boring formal exercise imaginable, but Scott turns it into something genuinely unsettling—the camera becomes a ghost reading the evidence of lives, and you realize the *restraint* is what makes it weird.
This is essay cinema at its most disciplined: one unbroken take that moves through space the way memory does, each room a stanza, each sound a deliberate choice that echoes Brakhage and Akerman but feels entirely its own—the kind of work that rewards multiple viewings and programmer debate.
The decision to shoot this as one continuous take isn't showboating; it's the hinge that makes everything work—by removing the edit as an interpretive layer, Scott forces the *movement itself* to become the grammar, and suddenly a 3-minute walk through a house becomes something intimate and alive.