How They Saw Us: Needles and Pins

1977 · 10m · Canada

Directed by Ann Pearson, Roger Blais

Genres: documentary, drama

Tones: melancholic, provocative

A factory seamstress's job is dressed up with glamour in place of real satisfaction, skill or advancement.

Picked by Margot

The scouts

It's a doc-drama hybrid that could've been a soapbox, but instead it stays formally restless—the glamour imagery cuts against the monotony without winking at you, which is rarer than it should be.

Felix

A formally sophisticated interrogation of labor and representation that sits squarely in the lineage of 70s structural documentary; the gap between visual fantasy and material reality is the entire argument, executed with disciplined restraint.

Margot

The decision to layer aspirational factory-floor imagery over the seamstress's actual routine—that collision between what capitalism wants her to feel and what her hands actually do—is where the whole film lives or dies, and it lives.

Zoe