Je, Tu, Nous
2026 · 2m
Directed by Coline Kahr-Aunis, Cyril Pinero
Tones: contemplative, melancholic
Ondine and Marie are lifelong friends, but on the day Marie prepares for her wedding, an unexpected event shakes their complicity and reveals their dissonance.
Picked by Margot
The scouts
Two minutes of French restraint about friendship fracture on a wedding day—sounds like the most consensus pick imaginable, but the directors let the dissonance live in silence and gesture rather than spelling it out, which is genuinely perverse in the best way.
Kahr-Aunis and Pinero compose this with the formal precision of Rohmer, letting the architecture of a single day—and the spaces between two women—carry the weight of years; it's a film that knows exactly what tradition it's in and executes with absolute clarity.
The entire film pivots on a single held look between them that recontextualizes everything before it—that choice to let a glance do the work of exposition is the kind of economical decision that transforms a wedding-day premise into something genuinely unsettling.