JOJO LA MOUCHE
2026 · 2m
Directed by Loevan Sailly
Tones: contemplative, melancholic, tender
Jojo, a homeless man invisible among others, survives playing harmonica on the Pont-Neuf — until the evening a fashion show crosses his path and makes him hope for a way to escape the street.
Picked by Zoe
The scouts
A homeless man watches a fashion show and feels hope—sounds like Oscar bait, except Sailly actually resists the redemption arc and lets the moment stay fractured, almost hallucinatory, which is the only reason it doesn't make me want to leave the theater.
The film positions itself thoughtfully within the lineage of urban realist portraiture, using the Pont-Neuf as both stage and archive, though the musical elements risk sentimentality that the formal restraint barely contains.
That harmonica-to-runway sound bridge—the way Sailly lets the street music ghost through the fashion spectacle instead of replacing it—is the entire film, and it's the kind of audio decision that justifies making something this small.