King of the Night

2018 · 7m · USA

Directed by Molly Brass, Anne Hollowday

Genres: biography, documentary

Tones: contemplative, tender

A Palestinian refugee with no family of his own becomes a father figure to the community gathered at New York City's last remaining chess shop.

Picked by Zoe

The scouts

Everyone expects the refugee narrative to be about displacement and trauma—Brass and Hollowday just... ignore that script entirely and film a man teaching chess to strangers like it's the most natural story in the world, which somehow makes it weirder and truer.

Felix

A formally restrained portrait that understands the documentary tradition of patient observation; the filmmakers trust the intimacy of the chess shop itself to carry the emotional weight, letting space and ritual do what voiceover might fumble.

Margot

The genius move is shooting the hands—the actual physical grammar of teaching someone to play, fingers guiding pieces—which transforms what could've been sentimental into something tactile and earned.

Zoe