L'admission
2026 · 2m
Directed by Yann Nataf
Tones: absurdist, theatrical, whimsical
Eleonore wants admission to one of the country's best art schools; in a room that looks like a storage closet, she must use the objects around her to convince a very unusual professor, and the singular exam takes an unexpected turn at his reaction to her work.
Picked by Felix
The scouts
A two-minute art school exam that turns itself inside out — the setup screams institutional satire, but then the professor becomes the real subject, and suddenly you're watching something genuinely unhinged about judgment and desire masquerading as pedagogy. Exactly the kind of premise that makes people say 'wait, WHAT?' before they realize they're laughing.
Nataf executes a formally controlled escalation from claustrophobic realism into theatrical absurdism, each beat precisely calibrated; the film's awareness of its own tonal trickery — how it shifts registers without losing coherence — places it squarely in the lineage of European shorts that weaponize comedy against institutional pretense.
The entire film pivots on a single reaction shot from the professor that recontextualizes everything we've watched, and Nataf commits fully to holding that moment just long enough that the audience catches up — that refusal to cut away early is the decision that transforms a clever premise into something genuinely strange and alive.