L'HOMME SAUVAGE
2026 · 2m
Directed by Hassani Mehdi, Goudjil Zakaria, Goudjil Abd-elghafour
Genres: drama, experimental, satire
Tones: contemplative, dark, provocative
A museum hosts a performance in which a man is invited to play a 'wild man'; the representation fascinates the public, but as some spectators feel a growing unease, the performance gradually derails and the artist is plunged into an inner combat that questions the border between beauty, exoticism and domination.
Picked by Felix
The scouts
A two-minute performance-within-performance that weaponizes the museum itself as complicit apparatus—watching the spectators' discomfort become the real artwork while the 'wild man' dissolves into genuine crisis is exactly the kind of premise that makes gatekeepers uncomfortable, which means it's working.
The film's structural inversion of spectacle and vulnerability engages seriously with the genealogy of ethnographic display and the male body in performance art, though at two minutes the formal argument remains somewhat compressed—it wants the weight of a Genet provocation but settles for a sharp provocation.
What lifts this beyond didactic satire is the sound design's gradual dissonance beneath the performance—the choice to let ambient museum noise become almost oppressive while the artist's composure fractures is the single decision that makes the conceptual premise visceral rather than rhetorical.