La beauté, la botte et le Chat Botté
2026 · 2m
Directed by Jean-François Edouard
Tones: absurdist, humorous, whimsical
An athlete trains on his exercise bike to play Puss in Boots at the next Nikon festival, convinced the theme is "botté" (booted) rather than "beauté" (beauty). Burlesque misunderstandings with his fitness coach follow.
Picked by Felix
The scouts
A two-minute French absurdist riff on homophonic mishearing that somehow makes an exercise bike the site of genuine existential confusion—most scouts would dismiss this as a cute language joke, but Edouard commits so hard to the wrongness that it loops back into something genuinely unsettling and brilliant.
The film operates within a clean lineage of Molière-inflected farce and Tati-esque physical comedy, though the brevity and deadpan execution feel more indebted to contemporary online aesthetics than classical cinema; a competent exercise in tonal constraint, if slightly too clever for its own substrate.
The entire film hinges on a single sound design choice—the decision to never explicitly correct the protagonist's misunderstanding, letting the audience sit in the gap between "botté" and "beauté" while he pedals—and that restraint is what transforms a premise into a film.