La couleur du vide
2026 · 2m
Directed by Maël Chasseray
Genres: drama
Tones: contemplative, tender
Thomas, a thirty-two-year-old exhibiting photographer, is hit by a car under his wife Marine's helpless gaze; he wakes in hospital to learn that he is now blind, and must reinterpret the world.
Picked by Zoe
The scouts
Blindness-as-transformation is the oldest empathy trap in cinema, and Chasseray walks right into it—except the two-minute runtime actually works against the sentimentality, leaving you no time to settle into pity, which is almost interesting.
A formally restrained study in the phenomenology of loss, situated squarely in the lineage of Haneke and Koreeda's constraint-as-meaning; the hospital setting and tactile reorientation echo established traditions of disability cinema with measured consideration.
The entire film hinges on how Chasseray photographs Marine's gaze during the accident—that split-second of helplessness becomes Thomas's actual blindness, and it's the editing choice to hold on her face that transforms a premise into something earned.