La Diosa quebrada
2024 · 21m · Venezuela
Directed by Ximena Pereira
Genres: documentary, essay film, historical
Tones: contemplative, melancholic, mythic
The story of Caracas's María Lionza statue — above all the moment it broke in half — as a mirror of Venezuela's social and political fracture over two decades.
Picked by Margot
The scouts
Most people would reach for the obvious metaphor and call it a day, but Pereira refuses—she lets the broken statue sit in the frame without genuflecting to political symbolism, which is precisely why it hits harder than any sermon could.
The film's formal restraint—allowing the monument's fracture to speak through archival footage, weathered stone, and temporal layering—positions it in a lineage of political essay cinema that trusts the image over narration, recalling works that understand how monuments become texts.
The decision to track the statue's breaking across two decades through fragmented visual sources rather than a linear timeline is what transforms this from cultural documentation into something resonant—that structural choice alone elevates it beyond the premise.
Reviews
La película logra una convergencia efectiva y dinámica entre el material de archivo y el original, donde lo poético no se separa de lo histórico. La directora nos da voz a quienes no nos sentimos identificados de un extremo o del otro, permitiendo hacer un paralelismo entre su historia personal y el contexto turbulento que ha atravesado Venezuela.