La femme invisible
2026 · 2m
Directed by Marie-Béatrice Roy
Tones: contemplative, tender
Marilyn can no longer stand the reflection her mirror sends back; she hides the marks of time. On her way to a first date with Artur, she will discover that beauty is interior and that love needs no artifice.
Picked by Zoe
The scouts
The premise is aggressively conventional—insecure woman learns self-acceptance through romance—and Roy doesn't seem interested in subverting it, which is frustrating because a 2-minute runtime could've actually *done* something weird with mirror anxiety instead of smoothing it into greeting-card wisdom.
There's a formal elegance to how Roy deploys the mirror as both literal object and psychological threshold, situating the film within a lineage of mirror-anxieties from Cocteau through contemporary feminist cinema; the restraint shows craft awareness.
What makes this land is Roy's choice to let Artur's acceptance register entirely through his gaze and stillness rather than reassuring dialogue—a single held look does more for the theme than any voiceover could, and that economy is what transforms a familiar story into something that breathes.