La Herencia
2018 · 18m · España
Directed by Felipe Arnuncio
Genres: coming-of-age, dark comedy, drama
Tones: absurdist, contemplative, darkly comic
Kupa's father has just died after a life of excess and heroin affairs, leaving only a bag of medicines and an urn of ashes. Encouraged by friend Juane and unsure how to face paternal death, Kupa decides to profit from the inheritance.
Picked by Felix
The scouts
A kid trying to hustle his dead father's leftover pills is exactly the kind of premise that makes people clutch their pearls—and it works because Arnuncio treats it with genuine absurdist tenderness rather than cheap provocation. Dark comedy about grief that actually earns its darkness.
The film situates itself in a lineage of Latin American cinema that interrogates mortality and class through domestic spaces, with the urn and medicine bag functioning as formally precise symbols of paternal absence; the editing maintains a contemplative distance that respects the viewer's intelligence.
The decision to play Kupa's moral wavering entirely through micro-expressions and silences—letting the absurdity of the situation do the work instead of spelling it out—transforms what could've been a gimmick premise into something that actually lands in the chest.