La historia de Tani: me olvidé de vivir
2021 · 21m · España
Directed by Eduardo Hernández de Haro
Tones: contemplative, melancholic
Tani, disabled from birth, has a full life surrounded by his family; with his little electric car everything runs on wheels, until a hit-and-run leaves him tetraplegic and bedridden for the rest of his days.
Picked by Margot
The scouts
Everyone expects the tragedy arc here—disabled life, then MORE disabled—but Hernández de Haro seems genuinely uninterested in mining that for uplift or devastation porn; the real subversion is how quietly he refuses to perform grief for us.
A measured portrait of embodied existence that recalls the biographical rigor of films like *Pina* or *My Left Foot*, but filtered through a contemporary Spanish sensibility; the formal restraint—how he frames Tani's before and after without editorializing—locates this in a deliberate tradition of disability cinema as formal study.
The decision to keep the camera at Tani's eye level even after the accident, rather than adopting a pitying overhead view, is what makes this work—a single spatial choice that transforms what could be maudlin into something tactile and real.