La merveilleuse histoire du faux-cil
2026 · 2m
Directed by Clémentine Chateau-Grebot
Tones: contemplative, theatrical
At the ball of worldly society, where everything is saturated with artifices, choreographed and codified, Effy, adorned to the very eyelashes, gives everything to correspond to this world — especially tonight, when she meets Cinna.
Picked by Margot
The scouts
A two-minute meditation on social performance that could've been a blunt satire—except Chateau-Grebot refuses the easy laugh and lets the artifice *breathe*, which is honestly more subversive than any wink-wink deconstruction would've been.
The film's choreography of gesture and restraint—every false eyelash a deliberate formal choice—places it in direct conversation with mid-century European cinema's obsession with surfaces concealing interiority; this is the kind of formally conscious satire that lingers in the margins of festival discourse.
The decision to keep the camera fixed on Effy's face while the ball's chaos remains implied rather than shown—letting the viewer complete the artifice through her performance alone—is the entire film, and it's devastatingly effective on a shoestring.