LA PLACE
2026 · 2m
Directed by Antonin Dagot
Tones: contemplative, melancholic, surreal
A man recounts his encounter with a woman on a square, an encounter that marked him deeply; the spectator discovers his story through his memories, in a journey through time - but is he lying, or restoring reality as it was?
Picked by Margot
The scouts
A two-minute meditation on unreliable memory dressed up as mystery—competent, sure, but it's asking the question every film studies student asks after week two of narrative theory, and it's not doing anything weird enough to justify the question's redundancy.
Dagot constructs a formal elegance here: the architecture of memory-as-narration sits precisely within the lineage of Resnais and Marker, where temporal instability becomes a meditation on the nature of witness itself, and the economy of two minutes demands every cut earn its place in that genealogy.
The decision to let the square remain—physically, architecturally constant—while the man's account of it fragments and shifts is what makes this work; it's a quiet formal choice that does all the philosophical heavy lifting without announcing itself.