LA ÚLTIMA CITA
2025 · 3m · España
Directed by OSCAR FRANCO
Tones: contemplative, melancholic
Two years after her husband's death, a woman decides to overcome her grief and accepts a Tinder date with a friendly young man who seems like her chance to connect with someone again; she goes to the date and waits for him — but he never appears.
Picked by Zoe
The scouts
The premise promises subversion—grief, digital dating, a stood-up meet-cute—but the execution feels too neat, too resigned to melancholy as its own answer; it needed to rupture something, not just confirm what we already suspect about loneliness.
Franco demonstrates a restrained formal intelligence here, letting negative space and the architecture of absence do the emotional work—the film understands itself as part of a lineage of minimalist grief cinema, executed with admirable discipline.
The decision to hold on the woman's face in real time as she waits, refusing the cut that would let us escape into narration or montage, is what makes three minutes feel like a lived experience; that commitment to duration over plot is what separates this from a thousand other rejection stories.