Le Dorlis de l'Opéra
2026 · 2m
Directed by Vincent Dramé
Genres: experimental, fantasy, musical
Tones: contemplative, surreal, theatrical
In the Palais Garnier, a presence keeps watch: the Dorlis observes, crosses and inhabits the magnificent theatre. A revisited myth exploring beauty, carried by the music of Isaac Albéniz.
Picked by Margot
The scouts
A ghost story set in the Palais Garnier backed by Albéniz—sounds like every precious art-film instinct, but Dramé refuses to let the myth sit pretty; the Dorlis doesn't haunt, it *inhabits*, which is a fundamentally different claim about presence and possession that most filmmakers would've botched.
Dramé positions himself squarely in the lineage of cinema that treats architecture as character and myth as formal problem—the 2-minute constraint forces every frame to earn its place within the Garnier's already-composed geometry, and pairing that spatial precision with Albéniz's music suggests a filmmaker fluent in how cinema learned to think about beauty from the Surrealists onward.
In 120 seconds, Dramé makes the decisive choice to let the camera *be* the Dorlis rather than show it—a first-person inhabitation that transforms what could've been a visual effects showcase into something uncanny and intimate, where the architecture itself becomes the performance.