Les Anges aussi portent des bonnets
2026 · 2m
Directed by Anne-Bénédicte Rebboah
Tones: contemplative, tender
Diane suffers from an affliction: she is incapable of seeing beauty. Wandering the streets of Paris at dawn, she stops in a church for one last prayer — and makes an unexpected encounter.
Picked by Margot
The scouts
The premise wants to be spiritual provocation—beauty-blindness as metaphysical condition—but it folds into conventional redemption arc the moment she enters the church; the film settles into exactly the tender-epiphany story it should've undermined.
Rebboah situates this within a lineage of French cinema's meditations on grace and perception, and the formal restraint—two minutes, a single location, the discipline of negative space—recalls Bresson's economy; the encounter itself becomes a statement about what cinema can show us about seeing.
The real lift is the sound design in those pre-dawn Paris streets: the decision to let silence dominate over ambient noise transforms wandering into something genuinely isolating, and that sonic absence is what makes the church's threshold feel like an actual crossing.