Les Plus Belles
2026 · 2m
Directed by Kévin Frair
Tones: contemplative, mythic
In the colonial home of businessman Hubert Yotha, the unexpected arrival of a visitor disrupts the routine of the guard watching over the place, in a modern re-reading of a Greco-Roman myth.
Picked by Margot
The scouts
A two-minute Greco-Roman myth transplant into a colonial estate sounds like the kind of self-serious exercise that usually bores me senseless, but Frair's doing something genuinely disorienting with the form—the brevity forces a kind of mythic compression that actually *works* against literary pretension.
Frair's re-reading demonstrates real lineage awareness: the colonial setting as a deliberate counterpoint to classical myth, the guard as a contemporary Charon figure caught between worlds—this is the kind of formally considered premise that rewards close viewing and justifies the mythic framework.
The entire weight rests on what happens in that two minutes of disruption, and the editing choices around the visitor's arrival—the pacing, what stays visible versus what's withheld—are clearly the difference between precious concept and something that actually *lands*.