Lost
2018 · 7m · España
Directed by Rafa G. Arroyo
Genres: experimental, sci-fi, thriller
Tones: dark, melancholic, surreal
A man tries to contact a woman with an old radio while pursuers in black hunt the man through a post-apocalyptic world where art faces destruction. Flight and transmission intertwine.
Picked by Felix
The scouts
Post-apocalyptic radio transmission as metaphor for art survival is exactly the kind of premise that makes everyone else nervous—and that's precisely why it works. Arroyo refuses the obvious apocalypse film and instead builds something genuinely uncanny where communication becomes resistance.
The formal restraint here—melding sci-fi genre with experimental structure to interrogate how culture persists—locates itself in a lineage of essay-films that weaponize their own form; the editing discipline needed to sustain 'flight and transmission' as parallel rather than sequential narratives is considerable.
The decision to anchor the entire piece in radio static and voice rather than chase spectacle in a 7-minute runtime is the lift: suddenly the pursuers become almost secondary to the intimacy of one voice trying to reach across void, which is the whole film in microcosm.