Lux
2026 · 2m
Directed by Jérémy Joly, Ahmed Hamouda
Genres: essay film, experimental
Tones: contemplative, tender
Facing a black screen, the spectator listens as an audio description narrates a film with its sound effects, each viewer free to create an inner film — until they understand they occupied the place of a particular spectator, in an immersive experience of cinematic beauty.
Picked by Margot
The scouts
A two-minute essay that hijacks the apparatus of cinema itself—audio description becomes the *only* description, and suddenly you're complicit in someone else's perceptual act. It's the kind of conceptual move that could be gimmicky but instead feels like a genuine provocation about whose eyes we're borrowing.
Joly and Hamouda situate themselves deliberately in the lineage of expanded cinema and accessibility-as-form, borrowing from both experimental film and curatorial ethics; the restraint of the black screen and the precision of the audio design reflect a deep understanding of how cinema constructs vision itself.
The entire piece hinges on a single production choice—treating audio description not as accommodation but as the primary text—and everything else (the sound design, the timing, the moment of recognition) cascades from that one decision with almost no budget wasted.