Madre no hay más que una y a ti te encontré en la calle.
2025 · 3m
Directed by Fernando Lera Rodríguez
Tones: absurdist, darkly comic
A middle-aged geek is suddenly seized by the existential doubt of whether he is adopted — and what happens next may or may not surprise you.
Picked by Felix
The scouts
A three-minute existential spiral disguised as a comedy about adoption anxiety — it's the kind of premise that sounds like a setup for a punchline, except the punchline might be that there's no punchline, and that's exactly why it works. Rodríguez commits to the weirdness without winking, which is the move most directors are too scared to make.
The film's restraint in tone — holding absurdism and genuine dread in the same frame without collapsing into either — recalls a lineage of European short comedy that prizes ambiguity over resolution; the economy of the form here serves the thematic uncertainty rather than betraying it.
There's a single moment where the protagonist's face shifts from skepticism to genuine vertigo, and everything hinges on Rodríguez trusting that micro-expression instead of underlining it with a joke or a score cue — that restraint is what makes three minutes feel like a complete emotional argument.