My Older Brother Bought A Big Titty Anime Figurine And It's Up To Me To Liberate Her For The Sake Of ALL WOMEN?!

The scouts

Finally—a film that swings for the fences on the exact premise that makes most festivals squirm, and Mills lands it by committing so hard to the absurdist core that you can't tell if she's demolishing anime culture, suburban girlhood, or feminist rhetoric itself. This is the kind of short that gets rejected by the cautious and championed by people with actual taste.

Mills demonstrates formal control in service of a deliberately destabilizing premise, using animation as a precise tool for tonal navigation rather than mere vehicle for the joke; the editing rhythm and restraint suggest a filmmaker aware of the lineage of provocative animation from underground traditions through contemporary practice.

The entire film pivots on the voice performance—that particular register of exasperation mixed with genuine moral confusion in the protagonist—which transforms what could've been a one-note gag into a character study about complicity and family obligation, and it's achieved on what appears to be a shoestring.