NEOSOMA

The scouts

A sci-fi body-horror premise that actually commits to its own weirdness instead of playing it safe—the kind of film that uses appearance control as a mirror for something darker, messier, and way more subversive than the usual dystopia hand-wringing.

Godmer situates this squarely within the lineage of speculative cinema that interrogates identity through form, and the restraint in a 2-minute runtime suggests considerable editorial discipline in distilling a larger conceptual argument into pure image.

The decision to compress this existential reckoning into 120 seconds hinges on a single moment—likely visual or sonic—where Enola's discovery lands, and whatever Godmer chose there probably does the heavy lifting that a feature would spend forty minutes earning.