No digas nada
2022 · 9m · España
Directed by Kike Baliñas
Tones: contemplative, melancholic, tense
Samuel is tied to the train tracks; the feeling of guilt for something that happened in the past made him take this desperate decision, when someone appears…
Picked by Zoe
The scouts
The suicide-on-tracks setup screams festival melodrama, but Baliñas seems aware of the trap—the real subversion is probably buried in what *doesn't* happen, or how the interruption reframes guilt as something weirder than despair. If it lands, it's because he trusted the audience to feel the twist in their bones, not their plot notes.
A taut nine minutes working in the Spanish arthouse tradition of moral weight and formal restraint; the melancholy framing and tense editing suggest a filmmaker attuned to how silence and interval can carry more than exposition. The arrival of the stranger is classically structured but executed with the kind of craft discipline that prizes what's *withheld*.
That interruption—the moment someone appears—either kills the premise or resurrects it entirely, and everything hinges on whether Baliñas chose to linger on Samuel's *reaction* rather than the stranger's entrance. The craft signature here is probably a single held shot or a sound design choice that pivots the whole emotional register on a dime.