No estamos aquí para que nos toquen los huevos
2016 · 10m · España
Directed by Kike Barberá
Jonás Albelda works as a door-to-door real-estate salesman, knocking without success, until a rather heterogeneous and crazy community opens its door to him and makes Jonás recover his joy for living.
Picked by Zoe
The scouts
The title alone—a Spanish colloquial middle finger—promises subversion, but the actual film punts on its own premise by letting a lonely salesman find redemption through wacky-neighbor manic pixie logic; it's exactly the crowd-pleasing indie move that makes contrarians groan.
Barberá demonstrates formal control in the tonal oscillation between Jonás's defeated salesmanship and the community's chaotic generosity, executing a familiar arc (isolation-to-belonging) with enough compositional deliberation to earn its sentiment.
The specific choice here is sound design—the way the film lets the community's overlapping voices and laughter gradually replace the dead quiet of Jonás's failed pitches—transforms a stock premise into something that *feels* lived rather than simply narrated.