ORIGINAL

2018 · 14m · India

Directed by Mohamed Hashim Sulaiman

Genres: drama, experimental, surrealism

Tones: contemplative, melancholic, surreal

A man suppresses his true character to project a socially appealing identity, until he realizes he has lost himself — a dialogue-free surrealist visual narrative.

Picked by Zoe

The scouts

A premise about identity-suppression could've been a freshman philosophy essay, but Sulaiman's commitment to *showing* psychological fracture through pure image—no dialogue crutch—actually makes the familiar strange again.

Felix

The surrealist language here sits in clear conversation with Buñuel and mid-century experimental cinema, and the formal discipline of sustaining a wordless narrative for 14 minutes without collapse speaks to a filmmaker aware of his lineage.

Margot

The real pick is the decision to strip dialogue entirely—that constraint forces every gesture, every environmental detail, every cut to *mean* something, and watching a low-budget film trust that fully in visual grammar over exposition is rare.

Zoe