Otras Junglas
2025 · 3m · España
Directed by Elma Palomar Giménez
Genres: essay film, experimental
Tones: contemplative, sensual, surreal
The Botanical Garden is portrayed as a living organism, where iron architecture intertwines with vegetation and the bodies that inhabit it merge into its breathing — until the rain reveals the place's deepest essence: nature's inner skin, where space becomes time and matter becomes memory.
Picked by Margot
The scouts
Everyone's going to call this 'poetic' and 'sensual' like it's automatic shorthand for experimental—but Palomar's actually doing something weirder, collapsing the garden into a living archive where time liquefies on contact with rain, and I respect that she's refusing to make it comfortable.
This sits perfectly in the lineage of structural essay cinema and phenomenological landscape work—the architectural interweaving recalls both structuralist film and contemporary botanical documentary, but the formal restraint and the precise moment rain becomes metaphysical memory rather than meteorology shows a curator's hand at work.
The decision to make rain the temporal hinge—the instant where the garden's 'breathing' stops being metaphor and becomes literal sensory collapse—is economical enough that three minutes feels like a complete visual argument, and that restraint is what makes the surrealism land.